ENGINE
6 August 2026 As I mentioned in an earlier post, I’ve run a couple of contemporary dance companies in my time. Which is why it’s somewhat embarrassing to confess at this late stage in my career that I don’t always “get” the art form. There are pieces where the beauty of the stage image will entrance me. There are works where the sheer physicality of the dancers will enthral me. But often there’ll be pieces where I’m just not sure what I’m looking at or why. But that wasn’t the case with Sydney Dance Company’s recent season in Perth. Called Engine , it consisted of three pieces that vibrated, albeit it differently, with an extraordinary energy. The ensemble of dancers, of varying backgrounds and heights and sizes, moved with precision and passion. 1. Love Lock by Australian choreographer Melanie Lane (of Indonesian-Anglo heritage) with costumes by Akira Isogawa and music by Clark. It was performed by the whole company and had some magical movement moments in it. I also l...